Sony FE 70-200mm F2.8 GM OSS II Review: Best Telephoto Zoom

Versatile and popular lens

Do we still need to present 70-200mm? An associate of many photo reporters and sports photographers, he is at ease in many operation theaters. This type of focus is especially appreciated when your servant has to cover events. This zoom allows you to shoot at a reasonable distance without being completely disconnected from your subject. Of course, with a 1.4x or 2x teleconverter, more distant targets can be achieved while sacrificing a little bit of brightness.

Portrait zoom

You are well aware that a small, stable and bright telephoto lens is often preferred for capturing images. However, with a maximum aperture of f / 2.8 and a focal length starting at 70mm, this FE 70-200mm can take good portraits with the F2.8 GM OSS II. The material is easily highlighted and the background fades into a nice blur.

Bokeh is very successful. The bubbles are very rounded in the center and have no imperfections on their surface. Fans will be satisfied with that. The minimum focusing distance is 40 cm to 70 mm (82 cm to 200 mm) for diversity.

What a partner wants is rarely seen

This new version of Sony’s 70-200mm had to work properly with the manufacturer’s autofocus systems. Tested with Sony A7R IV In our labs, the zoom was very responsive and we did not notice any particular problem. This is especially true of the manufacturer’s primary, The Sony Alpha 1 (A1), The lens has revealed its full potential. It gets to the point very quickly and is not afraid of eye and face tracking of the case. It’s a real pleasure to use because it’s quick.

In addition, by increasing the compactness of the kilogram, the freehand can be used for longer sessions without much difficulty. The alpha 1 (A1) and zoom pair do not exceed 2 kg.

In addition to the mechanical sensor stabilization built into Sony’s 24×36 hybrids and some APS-Cs –Alpha 6600 (A6600) -, the user can count on the optical stabilization of the FE 70-200mm F2.8 GM OSS II. Thus fitted and with a wide maximum aperture, even in low light conditions the risk of camera shaking is actually low.